CURRICULUM VITAE |
DR. PETRA KLUSMEYER (PhD, MFA, MPhil, BFA) |
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EDUCATION |
September 4, 2019 |
Doctoral Thesis Defense, Leiden University; PhD Committee: Prof. dr. Henk Borgdorff, Prof. dr. Salome Voegelin, Prof. dr. Simon O'Sullivan, Dr. Erin Manning, Dr. Richard Barrett |
2019 |
PhD candidate, Graduate School of Humanities, Leiden University; Prof. dr. Marcel Cobussen (Supervisor), Dr. Sher Doruff (Co-Supervisor) |
2013 – 2018 |
PhD candidate, Institute for Cultural Inquiry (ICON) of the Faculty of Humanities, Utrecht University |
2011 – 2013 |
PhD candidate (Stage 2 issued on Feb. 23, 2012), University College Dublin |
2010 – 2011 |
MPhil/PhD candidate, University of East London |
Master of Fine Arts |
Time Arts Studio Program, The School of the Art Institute of Chicago |
Post-Baccalaureate |
Time Arts Studio Program, SAIC; Post-Baccalaureate Studio Certificate issued on May 18, 1997 |
Bachelor of Fine Arts |
Graphic Design, Arizona State University, School of Art; BFA Degree (summa cum laude) issued on May 14, 1993 |
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PROFESSIONAL EXPERIENCE |
2016 |
Artist-in-Resident at Catwalk Institute, Catskill, NY |
2016 – PRESENT |
Reviewer for JAR (Journal for Artistic Research) |
2010 |
Residency Dartington Gallery as part of OPEN PROCESS series, University College Falmouth, Dartington Campus |
2008 – PRESENT |
Reviewer for Leonardo Music Journal, The MIT Press |
2008 – PRESENT |
Curatorial practice: SONIC PERIPHERIES#1-#7; |
2008 |
Artist-in-Resident at The Atlantic Center for the Arts, Florida Residence#130 with Carsten Nicolai |
2007 |
Short-list candidate for the tenure-track faculty position for Audio Arts and Acoustics at Columbia College Chicago |
2003 – PRESENT |
Teaching Researcher of SOUND STUDIES and Research-Creation, Faculty of Art and Design, University of the Arts Bremen |
2000 |
Graphic Designer at Thirst, Chicago |
1998 |
Teaching Assistant, SAIC |
1993 – 1996 |
Graphic Designer at Chermayeff & Geismar, New York City |
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GRANTS/AWARDS |
2008, 2010-11, 2013, 2016 |
Research Grant GEDOK, Bremen |
2008 |
The Joan Mitchell Foundation Stipend |
2001 – 2006 |
Künstlerhaus Bremen Artist Studio Stipend |
2000 |
John Adams Merit Award Fellowship |
1997 – 1999 |
The School of the Art Institute of Chicago (SAIC) |
1989 – 1993 |
Regents Scholarship Arizona State University (ASU) |
1993, 1992 |
Nelson and Russell Scholarship ASU |
1993 |
Ken White Scholarship ASU |
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CONCERTS/EXHIBITIONS (Selection) |
2016 |
Experiment! Sound/Non-Sound: Gallery Herold, Bremen |
2008 |
Permanent Fragments, Not Berlin and Not Shanghai: Guangxi Arts Institute Nanning (China) |
2008 |
Tightly Wound, collaboration with Chad Eby |
2007 |
Berlin Skin, collaboration with Kim Collmer (Animation) |
2007 |
Lichtwelten, collaboration with Kim Collmer (Video) |
2004 |
Pandora’s Box, terra cognita?: Neues Museum Weserburg |
2004 |
Windräder, collaboration with Rebekka Brunke (Film) |
2002 |
Listen.ing: SoundEvent, 10 Years Künstlerhaus Bremen |
2002 |
Here Life Works Differently, collaboration with Gabriela Monroy (Interactive AV Installation); Creation in Movement: Cenart Galeria Central, Mexico City |
2002 |
Music in Me, Gesellschaft Aktueller Kunst Bremen |
2001 |
xtract Chicago: Sound Festival Podewil, Berlin |
2001 |
Between Image and Sound: Garage, Stralsund |
2001 |
Duplikat 00: Multiples, NFA Space & Bodybuilder Sportsman Gallery Chicago |
1999 |
Groove, Pit & Wave: Concerts around Radio, Turntables, CDs: Festival der Speicherung und Übertragung, Kunst und Technik |
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DISCOGRAPHY |
2010 |
SOUNDART RADIO 102.5 FM |
2009 |
Permanent Fragments (Petra Klusmeyer Edition) |
2001 |
Pandora’s Box, collaboration with composer Olivia Block (BoxMedia Chicago) |
2000 |
Duplikat 00: New Works 2000 (Petra Klusmeyer Edition) |
2000 |
BONES: Works by Chicago sound artists (Experimental Sound Studio Chicago) |
2000 |
BwO [Body without Organs], A Manual (Staalplaat) |
2000 |
pre_next_pop (Microwave/Staalplaat) |
1999 |
Simmer (Microwave/Staalplaat) |
1999 |
Karnevalsmaske, Chicago Electronic Music Compilation 1999 (BoxMedia Chicago) |
1999 |
Master-Thesis Trilogy: Akousma (or 11.000 Virgins), Chronotope |
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TALKS/PUBLICATIONS |
Forthcoming
|
Klusmeyer, P., forthcoming. Experimenting: Sound/Non-Sound. In S. Doruff & M. Rossini, eds. Experiment!. Experimental Practices: Technoscience, Literature, Art, Philosophy. Leiden: Brill Publishers. |
4 September, 2014 |
The Society for European Philosophy and Forum for European Philosophy Conference / Philosophy after Nature. On Sound and Time (Panel: New Materialism) |
17 July, 2012 |
Sonic Objecthood, Vibrational Affect |
21 February, 2012 |
Artistic Research: Re. Methodology |
17 February, 2011 |
The Cutting of Trees is Associated With Risk; |
July 14, 2010 |
Mapping out the Sonic Nonconscious, |
March 9, 2010 |
Artist's Talk: Sonic Art Practices |
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REFERENCES |
Dr. Sher Doruff |
Senior Researcher, Gerrit Rietveld Academy of Art and Design |
Nicolas Collins |
Professor, The School of The Art Institute of Chicago |
Shawn Decker |
Professor, Sound Department, Art and Technology Studies, School of The Art Institute of Chicago |