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Sonic Peripheries: Middling With/In the Event | The research explores what and how sound does in certain art practices; it lends an ear to so-called material-discursive events that come into expression as in/determined sonic occurrences. The dissertation has three main objectives. Firstly, it describes sonic art practice as experimental research and makes a case for curating such practices as a form of research; it positions this type of research as a contribution to new forms of knowledge and provides a resource for future research-creations and evaluation practices. Secondly, it brings together philosophy and art to elaborate a genuine manner of working with sonic matter (mattering); it conceptualizes and materializes novel ways of thinking, and creates a case for writing itself as practice and curating/producing art as theory; that is, it seeks to practice what it theorizes and vice versa. Thirdly, it advocates a certain transformation of self that lets us side-step ourselves, intervene and invent possible worlds or future fabulations. Practicing a process-oriented exploration complexifies as it advances; it creates resonances between theory and practice, between audience and sound art, between the written thesis - inclusive of presented artifacts - and the reader. It wants not to reduce but foster awareness of the ongoing complexity of life. |
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How is Nature | Works on paper, field recordings (sound) developed/ recorded during Catwalk Art Residency. |
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Mapping out the Sonic Unconscious SOUNDART RADIO 102.5 FM University College Falmouth, Dartington Campus | Part of OPEN PROCESS Residency at Dartington Gallery with participation from Ariane Delaunois, David Strang, Joe Scarffe, Sebastian Hau Walker |
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Permanent Fragments, Episode 1-10 Episode 1 (Decon), 0:14 min | [Positionsbestimmungen an der Peripherie: Methodik des Scheiterns PDF] |
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Lichtwelten Lichton | Video: Kim Collmer |
Wie der Wind die Zeit vergaß | Film: Rebekka Brunke |
01 Oil and Water (Olivia Block), 19:57 min Pandora’s Box excerpt 1, 3:26 min O_P, 21:57 min |
Collaboration with Chicago composer Olivia Block: source material was exchanged, reprocessed and finally remixed into two distinct sound compositions [Risse im System, taz Bremen 29.7.2004 PDF] O_P is a remix of the sound material used for Pandora's Box and Oil and Water |
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DUPLIKAT 00, 2000 Karnevalsmaske, 7:38 min |
Edition of 16 CDs |
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v/a-Microwave - A MANUAL (Various Artists) Boxmedia 1999 BwO (Body w/out Organs), 4:07 min |
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PRE_NEXT_POP ti04, 1:39 min |
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MASTER THESIS TRILOGY Akousma (or 11.000 Virigins), 8:23 min |
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